Museum of the Moving Image

Typing Party takes the form of a social arcade game comprising nine competitive minigames, played on two keyboards mounted side by side in a custom cabinet. Free to play in the Museum lobby.

Proof as If Proof Were Needed is an interactive installation that transforms the experience of a relationship’s end into a dreamlike journey through domestic space, a collaboration between Taiwanese artist Ting-Tong Chang and British artists’ group Blast Theory.

The VR project Sense of Nowhere , by Taiwanese filmmaker Hsin Hsuah Yeh, blurs the line between inner world and outer reality, transforming fragmented thoughts into a tangible experience.

On display on the Herbert S. Schlosser Media Wall: To Be Perceived, Against Evil , a collaborative work by Linda Dounia and Rhea Myers.

MoMI presents a program of 3-D rarities, restored and mastered directly from archival sources by the 3-D Film Archive. Spanning the earliest public demonstrations of stereoscopic cinema through Hollywood’s 1950s 3-D craze, the gallery screening program charts the evolution of early 3-D technology.

See these newly restored short films from legendary master of cut-out animation Yuri Norstein inside Red Grooms and Lysiane Luong’s Tut’s Fever Movie Palace , part of Behind the Screen, the Museum’s core exhibition. These three short films by renowned master of cut-out animation Yori Norstein tell captivating and endearing stories of friendship, romance, and the wonders of nature.