The Frick Collection

Siena: The Art of Bronze, 1450–1500 October 15, 2026 to January 18, 2027 Siena: The Art of Bronze, 1450–1500 is the first exhibition to focus on Siena as a center of artistic excellence and technical innovation in bronze sculpture during the Italian Renaissance. Bringing together some forty works—many of which have never been exhibited outside of Tuscany—the exhibition invites visitors to appreciate the medium's beauty and versatility while learning about the complex technical and political challenges that the Sienese bronzeworkers faced.

Kent Monkman: Officer and Laughing Girl November 12, 2026 to February 22, 2027 The Frick Collection will present an installation of new paintings by the contemporary artist Kent Monkman (b. Canada, 1965), whose practice explores historic European art and narratives from an Indigenous perspective. For this project, Monkman takes inspiration from Officer and Laughing Girl (ca. 1657)—one of the Frick's three paintings by the seventeenth-century Dutch artist Johannes Vermeer—to probe the ways in which it and other artworks of its time represent the effects of global trade and colonization.

Painting with Fire: Susanne de Court and the Art of Enamel April 8 to July 12, 2027 The Frick Collection will present the first exhibition dedicated to the French enameler Susanne de Court. Active around 1600, De Court is an enigmatic figure in the creation of painted enamels. With nearly one hundred surviving works, she is widely believed to have been the only woman to lead a workshop in Limoges, France. This exhibition will bring together around fifty of De Court's signed works, inviting visitors to discover her practice and some of the finest examples of her extraordinary output.

Vilhelm Hammershøi: Pictures from Home November 11, 2027 to February 14, 2028 The first major North American exhibition devoted to Vilhelm Hammershøi's work in more than twenty-five years, this show will focus on the artist's most celebrated paintings—his series of enigmatic, evocative, and meticulously observed views of the interior of his apartment at Strandgade 30 in Copenhagen. Central themes of the show include the artist's manipulation of spatial ambiguity; his handling of light, shadow, and temporality; the shifting presence of household objects as they migrated between rooms; and the role of his wife, Ida, as the sole figure featured in several compositions. This exhibition is co-organized by the Art Institute of Chicago and The Frick Collection, New York.